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O somma luce

8.4

类型：动作地区：法国年份：2012 语言：中字

主演：/Giorgio Passerone/

导演：吴贤重,方清平,沈奕斐

上次更新：2024-12-27 18:12:07

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剧情介绍

《O somma luce》影片介绍:转自：http://www.filmlinc.com/nyff/2010/views-from-the-avant-garde-friday-october-1/views-from-the-avant-garde-jean-marie-straub“The end of paradise on earth.”—Jean-Marie StraubThe 33rd verse and last chant of “paradise” in Dante’s Divine Comedy. The film starts with verse 67, “O somma luce…” and continues to the end. “O Somma luce” recalls the first words uttered by Empedocles in Danièle Huillet and Jean-Marie Straub’s 1987 The Death of Empedocles—“O himmlisch Licht!…” (O heavenly light!). This extract from H?lderlin’s text is also inserted into their 1989 film Cézanne.“O somma luce” invokes utopia, or better still “u-topos,” Dante, Holderlin, Cézanne… the camera movement, recalling Sisyphus, in the film’s long shots, suggests its difficulty.In O somma luce, with Giorgio Passerone’s Dante and the verse that concluded the Divine Comedy, we find at the extremity of its possibilities, the almost happy speech of a man who has just left earthly paradise, who tries to fully realize the potential of his nature. Between the two we find the story of the world. The first Jean-Marie Straub film shot in HD.So singular are the textual working methods of Straub-Huillet, and now Straub on his own, that it is hard to grasp how far reaching they are. Direction is a matter of words and speech, not emotions and action. Nothing happens at the edges, everything is at the core and shines from there alone.During the rehearsals we sense a slow process by which ingredients (a text, actors, an intuition) progress towards cohesiveness. It is, forgive the comparison, like the kneading of dough. It is the assembling and working of something until it becomes something else… and, in this case, starts to shine. Actually it’s very simple, it’s just a question of opening up to the light material that has been sealed up. Here, the process of kneading is to bring to life and then reveal. The material that is worked on is speech. So it is speech that becomes visible—nothing else. “Logos” comes to the cinema.The mise en scène of what words exactly?The process of revealing, “phainestai”; “phainomenon,” the phenomenon, is what take splace, what becomes visible to the eye.Is “Straubie” Greece?This mise en scène of speech, which goes beyond a close reading of the chosen text, is truly comes from a distant source.—Barbara Ulrich... 《O somma luce》影片介绍:转自：http://www.filmlinc.com/nyff/2010/views-from-the-avant-garde-friday-october-1/views-from-the-avant-garde-jean-marie-straub“The end of paradise on earth.”—Jean-Marie StraubThe 33rd verse and last chant of “paradise” in Dante’s Divine Comedy. The film starts with verse 67, “O somma luce…” and continues to the end. “O Somma luce” recalls the first words uttered by Empedocles in Danièle Huillet and Jean-Marie Straub’s 1987 The Death of Empedocles—“O himmlisch Licht!…” (O heavenly light!). This extract from H?lderlin’s text is also inserted into their 1989 film Cézanne.“O somma luce” invokes utopia, or better still “u-topos,” Dante, Holderlin, Cézanne… the camera movement, recalling Sisyphus, in the film’s long shots, suggests its difficulty.In O somma luce, with Giorgio Passerone’s Dante and the verse that concluded the Divine Comedy, we find at the extremity of its possibilities, the almost happy speech of a man who has just left earthly paradise, who tries to fully realize the potential of his nature. Between the two we find the story of the world. The first Jean-Marie Straub film shot in HD.So singular are the textual working methods of Straub-Huillet, and now Straub on his own, that it is hard to grasp how far reaching they are. Direction is a matter of words and speech, not emotions and action. Nothing happens at the edges, everything is at the core and shines from there alone.During the rehearsals we sense a slow process by which ingredients (a text, actors, an intuition) progress towards cohesiveness. It is, forgive the comparison, like the kneading of dough. It is the assembling and working of something until it becomes something else… and, in this case, starts to shine. Actually it’s very simple, it’s just a question of opening up to the light material that has been sealed up. Here, the process of kneading is to bring to life and then reveal. The material that is worked on is speech. So it is speech that becomes visible—nothing else. “Logos” comes to the cinema.The mise en scène of what words exactly?The process of revealing, “phainestai”; “phainomenon,” the phenomenon, is what take splace, what becomes visible to the eye.Is “Straubie” Greece?This mise en scène of speech, which goes beyond a close reading of the chosen text, is truly comes from a distant source.—Barbara Ulrich... 详情

影片评论

徐歇:刚刚

如此优越的仪式感让我想起了很久以前看过的一部美国精神病人的电影，片中同样光鲜亮丽的华尔街金领。
知情权:3分钟前

重要的是，他对自己的错误负责，面对错误改正错误然后继续前进，这才正是他的魅力所在。
CraftDeadMRC:6分钟前

而只有在一个“我们”的集体中，一个人才能发挥出最大的潜力，放出最璀璨的光芒。
倾城暮羽:2分钟前

因为治好了女王被赏赐了一座城堡，他和妻子，以及一大群动物居住在城堡里，为人们、动物看病。
臊子面:7分钟前

还有，锻炼时要去感觉你所锻炼的部位有没有在运动，比如锻炼大腿部位时，你要在下蹲的同时去感觉一下你的大腿肌肉有没有收紧，做完运动后这个部位有没有酸酸的。
月染轻衫:1小时前

他的父母（凯利·蕾莉和马克斯·马蒂尼饰）在用尽一切办法之后，将儿子的生命托付给一位医生（莉莉·泰勒饰）。
夜画清风:小时前

“西安文物甲天下”，深厚的历史文化积淀和浩瀚的文物古迹遗存使西安享有“天然历史博物馆”的美称。
华北海:2小时前

考琳·麦卡洛我在那温和的天空下面，在这三块墓碑前留连!瞅着飞蛾在石南丛和兰铃花中飞舞，听着柔风在草间吹动，我纳闷有谁会想象得出在那平静的土地下面的长眠者竟会有并不平静的睡眠。
牛牛福:7小时前

狗是人类最忠实的朋友，当它望向你的时候，你很明显的就能感受到它眼神中那种信任依赖和渴望。
客情寄风絮:1天前

因着“阿索德”的神秘性，御手洗几次三番觉得梅泽平吉仍然活着。